🌾 Aihole: Where Indian Temple Architecture Took Its First Breath

We visited Aihole as part of our Badami, Pattadakal, and Aihole trip. All three sites are included in a UNESCO World Heritage site. Surrounded by red sandstone in Karnataka, India, Aihole is known for its rich history. Often referred to as the birthplace of Indian temple architecture, this small town features over 125 shrines built between the 4th and 12th centuries. Each shrine represents a part of the Chalukyan architectural journey. Our guide introduced us to Aihole, referred to as the “lab for temple design,” where temple concepts were tested before being refined in Pattadakal and Badami. Together, Badami, Pattadakal, and Aihole are central to Chalukyan heritage. Aihole was the workshop, Badami served as the royal capital in sandstone cliffs, and Pattadakal acted as the grand stage for these architectural achievements. These towns are close to one another, making them perfect for a day trip.

🏛️Historical Background

Aihole was originally known as **Ayyavole**, which means “village of monks” in old Kannada. The town is stategically located on the banks of Malaprabha river . The Chalukyas of Badami were the main patrons of the temples at Aihole. They ruled much of South India from their capital at Badami (formerly Vatapi), just 30 km away.

Badami Chalukyas (543–753 AD)

  • Origin: Established by Pulakeshin I in 543 AD, with its capital at Badami (formerly Vatapi) in present-day Karnataka.
  • Achievements: Known for their contributions to art and architecture, particularly the rock-cut cave temples of Badami and the structural temples at Pattadakal and Aihole, which are considered cradles of Hindu temple architecture.
  • Notable Rulers: Pulakeshin II, who expanded the empire and defeated the Harsha of Kanauj, is among the most notable rulers. His encounters with the Pallavas, particularly the defeat against Narasimhavarman I, marked the dynasty’s decline.

Cultural Contribution of Chalukyas

The Badami Chalukyas were instrumental in developing the Deccan style of architecture and patronized Sanskrit and Kannada literature.

  • Carvings and Sculptures: Chalukyan temples are adorned with intricate carvings and sculptures depicting deities, mythological scenes, and everyday life.
  • Shikharas and Vimanas: The shikharas (towers) of Chalukyan temples often feature intricate details and provide a distinctive silhouette. The vimanas, especially in the Dravidian style, are characterised by pyramidal structures.
  • Mandapas: Temples typically have mandapas (pillared halls) with elaborately carved pillars, showcasing a high level of craftsmanship.
  • Deity Sculptures: Chalukyan temples are known for their sculpted images of deities, with intricate details in jewellery, clothing, and expressions.
  • Best examples of Chalukya Architecture: Cave Temples at Badami, Pattadakal-Virupaksha Temple, Mallikarjuna Temple, and others; Aihole (the cradle of Indian architecture); The Lad Khan Temple, Durga Temple, and Ravanaphadi Cave; Lakkundi-Kasivisvesvara Temple; Dravidian Influence: The Mahadeva Temple at Itagi.

Did you know? Until recent cleaning by the Archaeological Survey of India, houses has built up to and even extended into these historical temples. This is the reason behind many temples in Aihole having unusual names, like Lad Khan temple – a Hindu temple named after an Islamic inhabitant who lived and used this temple as his house.

📍 Must‑Visit Spots

  • Durga temple complex with Durga Temple – Famous for its apsidal (horseshoe‑shaped) design and sculpted friezes. Lad Khan Temple – One of the earliest stone temples in India. It showcases the transition from wooden prototypes to enduring stone.
  • Meguti Jain Temple – Perched on a hill with inscriptions that help date Chalukyan history.
  • Ravana Phadi Cave – A rock‑cut shrine with expressive Shiva carvings.
  • Huchappayya Matha & Hucchimalli Temple – Early experiments in temple form and ornamentation.
  • Archaeological Museum – A small but insightful collection of sculptures and inscriptions.

🧭 How to Explore

  • Most major temples are within walking distance of each other.
  • Early mornings and late afternoons offer the best light for photography.
  • Combine Aihole with Badami and Pattadakal for a full Chalukyan heritage circuit.

🧡 Who Will Love Aihole

  • Architecture lovers
  • History enthusiasts
  • Slow travelers
  • Families looking for an easy, educational outing
  • Photographers chasing warm sandstone textures and quiet landscapes

Durga complex

We started off the visit in the Durga complex, which has a ticketed entry. We spent about 90-120 minutes walking through various temples and appreciating their historical significance. We visited the following temples at the Durga complex. I especially loved the unique architecture of the Durga temple and took tons of photos, especially from the back side. Click on the links to read more about each temple. Here are the must-do activities and unique features to observe at each of the temples and the step-well in the Aihole complex: 

  • Durga Temple– Most unique temple with its horse-shoe architecture
    • Observe the unique architecture: This temple is a prime example of experimental Chalukyan architecture, notable for its apsidal or horse-shoe shape that resembles a Buddhist Chaitya hall or the hind part of an elephant (Gajaprishtha).
    • Walk the pillared corridor (pradakshina patha): The temple features a unique ambulatory path running around the inner shrine, lined with pillars and niches containing intricate high-relief sculptures of various Hindu gods and goddesses, including Narasimha, Varaha, Mahishasura Mardini, and Shiva leaning on Nandi.
    • Admire the detailed carvings: Look for the exquisite seven-headed serpent carved on the ceiling at the entrance to the inner shrine and the rich sculptural panels throughout the temple walls and pillars.

  • Appreciate its ancient structure: Dating to around the 5th century, it is one of the oldest temples in Aihole and is significant for its flat roof and mandapa style, showing an early adaptation of wood construction techniques into stone.Explore the inner halls: The temple’s interior is laid out with large, plain pillars arranged to form two concentric squares, and features beautiful lattice-work windows.Spot the Nandi statue: A large Nandi (Shiva’s bull) statue is prominently placed in the center of the main assembly hall (sabha-mandapa) facing the inner sanctum.

  • Suryanarayan Temple
    • View the idol of Surya: Don’t miss the prominent idol of the sun god Surya with his two hands bearing lotuses, standing within an ornate cut-out frame. Also, observe the idol of his wives-Sandhya and Usha at his side.
    • Note the Nagara-style shikhara: Observe the partially preserved North Indian style curvilinear tower above the sanctum.
  • Guadargudi
    • Examine the early design: Believed to be older than the Ladkhan temple, observe its basic, open rectangular structure with a colonnaded veranda, built on an elevated platform slightly below the current ground level of the complex.
    • Look for carvings: Check the outer walls for decorative kalasha (water pot) motifs.
  • Chakragudi. This contrasts with the unique apsidal (semi-circular) plan of the nearby main Durga temple.
    • Study the preserved shikhara: The most notable feature is its well-preserved 7th or 8th century Nagara-style tower, a contrast to the unique plan of the nearby Durga temple.
    • Observe the doorway: The doorway to the sanctum has a carving of Garuda, the vehicle of Lord Vishnu, holding two snakes.
  • Badigargudi-  Look for the specific phamsana (pyramidal) style tower with ornate kudus (arch-like motifs) in the middle.

Due to a lack of time, we didn’t visit other sites, including the Cave temples. If you have more time in Aihole, I would definitely suggest spending half a day exploring all that Aihole has to offer. Most tourists visit only the Durga complex, which gives you a good understanding of Chalukya-style temple architecture. I am hoping to return to this area and explore some of the other, less-visited temple complexes of Aihole.

To experience the architectural evolution of the first capital of the Early Chalukyas, start your journey at the iconic Durga Temple complex, the most prominent cluster in Aihole. This ticketed area, maintained by the Archaeological Survey of India, houses the famous Durga Temple—a rare example of an apsidal, sandhara plan—alongside the Aihole Archaeological Museum. The village landscape is dotted with 12 structural temples and several cave shrines, including the Shiva-dedicated Ravanphadi cave and the Meena Basadi cave, whose inclusion of a sukhanasi (vestibule) marked a major step toward future temple forms. On the slopes of Meguti hill, you will find a unique two-story structure where the garbhagrihas are excavated into the rock while the front veranda is built. As you explore, you’ll notice the technical progression from the simple mundamala shikhara of the Konti gudiLadkhan, and Gaudaragudi temples to the more developed Rekha-prasada towers of the Huchhimalli and Huchhapayya temples. Innovations continue at the Meguti temple, which features a pradakshina patha (circumambulation path), and the Mallikarjuna and Galaganatha groups, which represent the specialized Kadamba-Early Chalukya shikhara. While the Nagnath temple at Nagral showcases a Dravidian shikhara, Temple 33 in the Veniyar group introduces the trikutachala (triple-shrine) form that later defined the Rashtrakuta period. This extensive experimentation at Aihole paved the way for the more definite architectural forms seen in Badami and the UNESCO World Heritage site of Pattadakal.

Final thoughts

As the first capital of the Early Chalukyas, Aihole serves as a grand “cradle of Indian architecture,” where centuries of experimentation paved the way for the masterpieces of Badami and the UNESCO World Heritage site of Pattadakal. From the unique apsidal design of the Durga Temple and the rock-cut precision of the Ravanphadi cave to the pioneering trikutachala and Rekha-prasada towers, the village offers an unparalleled timeline of structural evolution. Whether you are marvelling at the prehistoric Megalithic Dolmens or finding solitude in the isolated Galaganatha and Ramalinga clusters, a visit to Aihole is a journey through the very soul of ancient craftsmanship. No exploration of Karnataka’s heritage is complete without witnessing these 12 structural temples and sacred caves, which remain a testament to the creative transition from simple rock excavations to the definitive temple forms that would define South Indian history

Explore the Durga Temple: Aihole’s Architectural Marvel

Durga temple in Aihole is the largest and most richly embellished Hindu monument in town. The name Durga is misleading. It implies a temple built for Goddess Durga. However, the temple was originally dedicated to the Surya-Sun god. It was constructed in the early 8th century. Later, it became known as Durga when a stone rubble or Durg (fortified lookout) was built on its roof. The Durg has been removed since then, but the name stuck.

Architecture of Durga Temple

The unique character of the Durga temple is its horseshoe-shaped (apsidal-ended) form. This is an unusual feature for a Hindu temple. Aihole is considered an experimental lab for temple architecture. This temple was inspired by the Buddhist rock-cut Chaitya halls from the 2nd century.

Iconography of Durga Temple, Aihole

The Durga Temple features some of the most elaborate relief panels in the Aihole complex. 

  • Deities: Carvings display a mix of Vedic gods and goddesses. Major artworks depict Vishnu, Shiva, and Surya. Surya is the Sun god, to whom the temple was likely originally dedicated. They also depict Durga as Mahishasuramardini, slaying the buffalo demon.
  • Narrative Friezes: The base of the porch and mandapas contain narrative scenes, including episodes from the Hindu epic the Ramayana.
  • Symbolism and Daily Life: Pillars at the entrance and within the porch are carved with ornamental reliefs. These include dvarapalas (guardian figures) and scenes of mithuna (amorous couples). This artistry reflects a blend of sacred and secular life. The ceiling once housed carved panels, some of which are now in the National Museum, New Delhi
  • Ceiling: Don’t forget to look up. The carvings on the ceilings of the Mukha Mandapa conform to the Dravida architecture style

Devakoshtas and Jālandharas or the perforated windows

After climbing somewhat steep steps of the Durga Temple, please make time to go around the colonnaded veranda before going into the main sanctuary. The walls of the veranda have alternating perforated windows (Jalandharas) and Devokashtas. The carved panels of Devokashtas are among the greatest master pieces of early Chalukya art. In a clockwise direction, you can see Shiva with Nandi, lion-headed Narasinha, Vishnu flying on Garuda, Varaha, and Harihara. I took only photos of Shiva with Nandi and Varaha, but these should give you a good idea of the details found in these panels.

Alternating with the panels are the perforated windows, which let air and light into the inner sanctuary. There are various designs, including wheels with fish spokes. There are also Swastika signs with lotus. The Swastika is considered sacred in Hinduism, Buddhism, and the Jain faith.

Scriptures in Stone: Ramayana Scenes in the Carvings

Another thing to notice as you walk around the veranda is that the Narrative bas-reliefs are found on the plinth (base) . They depict various episodes from the Hindu epic the Ramayana

The panels along the base of the temple were intended to be read sequentially. This was meant to occur as a devotee performed the ritual circumambulation (pradakshina) around the shrine. They feature a continuous narrative style, similar to a comic strip, to tell the sacred story visually. 

Specific scenes found in these friezes at the Durga Temple include:

  • Crossing the River: One identifiable scene shows Rama, Sita, and Lakshmana in a boat. They are crossing a river at the beginning of their exile.
  • The Monkey Army: Other panels, such as the one pictured, depict the march of the Vanar Sena (monkey army). King Sugriva and the general Hanuman lead this army. They aided Rama in the search for Sita. They also participated in the battle against the demon king Ravana.
  • Other Episodes: The entire frieze includes other key moments from the epic. These moments include the abduction of Sita by Ravana and the ensuing battles. 

These intricate carvings are prime examples of Early Chalukyan art from the 7th-8th centuries CE. This art blended mythological storytelling with detailed sculptural craftsmanship.

Garbhagruha or main sanctuary

The doorway of the Durga Temple in Aihole is an exquisite example of Early Chalukyan architecture, renowned for its rich and detailed carvings. 

Architectural Features

  • Dvarabandha: The entrance (dvarabandha) leads into the sabhamantapa (congregation hall) and eventually the garbhagriha (inner sanctum).
  • Multiple Frames: The door frame is intricately carved with five vertical bands (dwarashakhas), each featuring unique motifs.
  • River Goddesses: At the base of the entrance, you can see carvings of the river goddesses Ganga (on her vehicle, the makara, on the right) and Yamuna (on a tortoise, on the left).
  • Garuda on Lintel: Carved into the lintel (the beam above the door) is a figure of Garuda, the mythical eagle vehicle of Lord Vishnu, depicted clasping nagas (serpents with human heads) in his hands. The central naga on the left has seven serpent heads, identifying him as the Nagaraja, or king of serpents.
  • Carved Pillars: The surrounding pillars and pilasters are adorned with various bas-reliefs, including mithuna (amorous couples), male musicians, and a series of female figures (apsaras).
  • Ceiling Reliefs: Just before the entrance in the mukhamantapa (porch) ceiling are two notable bas-reliefs: the Matsya Chakra (Fish Wheel) and a coiled Nagaraja, both likely inspired by earlier carvings in the Badami caves. 

This intricate doorway, with its blend of religious and everyday life imagery, serves as a transition from the outer world to the sacred space of the temple

Final thoughts

Visiting the Durga Temple in Aihole feels like stepping into a living museum of early Chalukyan creativity. This beautifully preserved 7th–8th century does not have a idol yet the aura inside is unmistakably divine. The temple’s apsidal (horseshoe‑shaped) layout, pillared corridors, and richly carved devakoshtas make it one of Aihole’s most iconic structures. As you walk through the colonnaded passage, you’ll meet exquisite sculptures of Durga as Mahishasuramardini. You will also encounter sculptures of Harihara, Varaha, Narasimha, Shiva with Nandi, and Vishnu on Garuda. Each niche tells a vivid story in stone. The carvings remain astonishingly crisp, offering a rare chance to admire early temple art up close. The Durga Temple is compact, atmospheric, and architecturally unique. It is a must-visit stop for anyone exploring Aihole’s role as the cradle of Indian temple architecture.

Stepping into Stone: The Timeless Experiment of LadKhan Temple (Chakulkya Shiva Temple)

One of the most unique temples with an unusual name is the LadKhan temple. It is named after an Islamic person who used this Hindu temple as his home. This is an early 8th-century monument that was built in Panchayath style with a huge pillar hall for gathering

Nestled in the quiet village of Aihole, Karnataka—famously called the “Cradle of Indian Temple Architecture”—stands a structure that looks more like a sturdy hall than a house of worship. 

The Lad Khan Temple (or Chalukya Shiva Temple) is a fascinating laboratory of design. The designers of this temple experimented with turning wooden concepts into eternal stone.

A Transition of Faith and Names

The temple’s spiritual identity has also shifted over 1,500 years. Originally dedicated to Lord Vishnu, it currently houses a Shiva Linga with a massive Nandi bull facing the inner sanctum. Some scholars even suggest it may have served as a Surya (Sun) temple. Others believe it was a royal assembly hall for the early Chalukyan kings.

Architectural Highlights

What makes the Lad Khan Temple truly stand out for modern travelers is its unique, “experiment-style” layout:

  • Panchayatana Style: This structure is built in one of the earliest versions of the Panchayatana (Panchayat Hall) style. It features a large pillared hall. The temple transitions from a rectangular entrance into a square sanctuary at the rear.
  • Wooden Influence in Stone: Look at the roof. You’ll see heavy stone slabs joined with stone “rafters.” These mimic ancient wooden log designs. This is a rare surviving adaptation of timber styles in sandstone.
  • Two-Story Sanctum: Unusual for its time, the temple includes a second, smaller square shrine. This shrine is built directly above the main central hall. It is accessible via a stone ladder.
  • Intricate Details: Don’t miss the pillars. They are adorned with carvings of river goddesses Ganga and Yamuna. Look at the intricate lattice windows. They filter soft light into the dim interior.
  • Stone Ladder – Don’t miss the stone ladder that was used to climb to second floor sanctuary

Also, when you are at the LadKhan temple, take a look at 2 miniature temples outside. These two temples are supposed to be the models for building bigger temples, according to our guide

We really enjoyed visiting this unique temple for its architecture. My favorite part is the photograph of Nandi taken from the sanctuary. With the light in the background, this photo almost looks ethereal.

Explore Hampi’s Monolithic Ugra Narasimha Statue

The monolithic Ugra Narasimha statue in Hampi is a massive, 22-foot (6.7m) tall sculpture of Vishnu’s half-man, half-lion incarnation, carved from a single rock in 1528 by order of King Krishnadevaraya, known for its intimidating expression but originally featuring Goddess Lakshmi on his lap, a consort figure destroyed by invaders in 1565. This remarkable statue not only showcases the exceptional craftsmanship of the artisans of that era but also reflects the rich cultural and religious heritage of the Vijayanagara Empire. As visitors approach, they are drawn to the intricate details of Narasimha’s fierce visage, which embodies both strength and protection.

Key Features & History:

  • Monolithic: Carved from one large granite boulder in 1528.
  • Size: Stands approximately 6.7 meters (22 feet) tall, making it Hampi’s largest monolithic statue.
  • Iconography: The statue depicts Narasimha, the half-man, half-lion avatar of Vishnu, seated in a cross-legged yoga posture (Padmasana).
  • Serpentine Canopy: He is sheltered by the seven hoods of Adishesha (the serpent god), which serve as a canopy over his head.
  • Makara Torana: The entire sculpture is framed by a Makara torana (an arch featuring mythical crocodile-like creatures) topped with a Kirtimukha (lion-like “face of glory”).
  • Unique Features: The statue is famed for its large, bulging eyes and fierce expression, symbolizing its “Ugra” (ferocious) form.
  • Missing Elements: Originally, a smaller statue of Goddess Lakshmi sat on his left lap; today, only her broken hand remains visible on Narasimha’s back due to damage in 1565.
  • Temple Structure: The original temple chamber has been completely destroyed, leaving the statue exposed to the sky without a roof.
  • Restoration: The Archaeological Survey of India (ASI) restored the statue, adding knees and a yogapatta (yogic band), leading to its alternative name, Yoga Narasimha.
  • Location: Found near the Badavilinga Temple at the base of Hemakuta Hill. 

Badavalinga Temple

Right next to Laskmi Narashimha temple is the Badavalinga temple that houses largest monlithic Siva Linga in this area. The linga is partially submerged in water which flows thorough aquaduct from Thungabhadra river 1 Km away.

Key Details

Architecture: The 3-meter (10-foot) high Shiva Linga is carved from a single black stone and features a carved mark representing Lord Shiva’s three eyes. The temple chamber lacks a permanent ceiling, allowing natural light to illuminate the Linga.

Location: The temple is located near the popular Lakshmi Narasimha Temple in Hampi, a UNESCO World Heritage site. It’s easily accessible and about 1 km from the town center.

Hours: It is open daily from 6 AM to 6 PM. Some sources mention longer hours from 5 AM to 9 PM.

Entry Fee: There is no entry fee to visit the temple, and photography is allowed.

Legend: The name “Badavilinga” is derived from the local language words Badava (poor) and Linga, as it is believed to have been commissioned by a poverty-stricken peasant woman during the Vijayanagara Empire.

    These 2 temples are great starting points for appreciating what Hampi has to offer

    Sarnath- Cradle of Buddhism

    The root of suffering is attachment.

    Buddha

    Sarnath, a small town located 10Km outside of Varanasi in India, is considered to be one of the most sacred places for Buddhist pilgrims. After attaining enlightenment in Bodhi Gaya (which is in present day Bihar), Buddha travelled to Varanasi and gave his first sermon to five of his followers, established Sangha (Buddhist monastic community) and set the wheel of Dharma in motion. Sarnath gained more prominence during 3rd century BC when king Ashoka erected several Stupas and monastic complexes and helped to spread Buddhism in India and Southeast Asia.

    Buddhist stupas were originally built to house the earthly remains of Buddha and his associates and are almost invariably found at sites sacred to Buddhism. According to world history org, ” A Stupa (literally “heap” or “pile”) is a shrine containing the remains of a holy person and/or artifacts (relics) associated with them, originating in India prior to the 5th century BCE as tombs of holy men and evolving afterwards into sacred sites dedicated to the Buddha (l. c. 563 – c. 483 BCE).Later, stupas were also raised to honor Buddhist arhats (saints), bodhisattvas (enlightened ones), other saintly figures, or local deities”.

    A stupa is a hemispherical structure, with a spire at the top, situated on a base that varies in shape and size and is usually surrounded by a walkway for visitors. The Dhamekh Stupa in Saranath is believed to have been built during the reign of Emperor Ashoka, stands at 33.35 meters in height and is adorned with intricately carved stone panels depicting scenes from Buddha’s life and teachings. Eight niches are provided in the eight direction which are assumed to contain images of Buddha.

    It is very common to see Buddhist pilgrims meditating and praying around this area.

    King Ashoka and Lion Capital-the national emblem of India

    Ashoka was the third emperor of Maurya dynasty and ruled between 279-232 BC. After witnessing the death and carnage caused by his army in the war of Kalinga, Ashoka decided to adapt the teachings of Buddha and spread the four noble truths of Buddhism far and wide. One of the ways King Ashoka decided to spread the noble truth of Buddhism is through erecting pillars that are 40-50 ft tall and with edicts/proclamations written on them. The pillars cut from two different types of stone—one for the shaft and another for the capital. The shaft was almost always cut from a single piece of stone. The capital or the top part of the pillar varies and usually have symbol depicting Buddhism or its philosophy.

    Lotus and lion-Symbolism associated with Ashoka Pillar found at Sarnath.

    Ashoka Pillar found in Sarnath -excavation photo

    One of the most famous Ashoka Pillar is the one found at Sarnath. You can still see the pillar remains where it was originally located while the Capital of the pillar is in display at the museum next door. The symbols from the Capital that was found in Sarnath was adopted as the national emblem of India in 1950 when India became a republic. It is depicted on the one rupee note and the two rupee Indian coin. The Capital of the Ashoka pillar found in Saranath follows the typical style of the Ashoka pillar with a shaft and capital that is made of 3 parts-an inverted lotus flower, base with 4 animals carved in-between wheels , and 4 lions sitting on the top.

    The lotus flower usually depicts Buddhist doctrine and is the most common symbol of Buddhism. Buddhism teaches that human life is like the “lotus flower” and the “muddy water” the harsh realities of everyday life. Lotus flower blooms in muddy water and its petals remain unblemished implying that Buddhist practitioner rises above despite the challenges of daily life and moving towards the light of wisdom. The Sarnath Ashoka Pillar lion capital has four lions on the top of the drum each facing in the four cardinal directions. Their mouths are open, roaring or spreading the dharma, the Four Noble Truths, across the land.

    On the drum of the Capital, there are four circular wheels in the middle is a form of Buddhist Dharma Chakra (also known as the Ashok Chakra). The 24 spokes of the Chakra represent the number of hours in a day. The spokes signify moving forward in life and thus one avoids stagnation of the mind. The four animals depicted alternatively between the chakras are regarded as the guardians of four directions – the lion for the north, the elephant for the east, the horse for the south and the bull for the west. In some Buddhist texts, all these animals have been referred to as symbols for Buddha himself and may be deduced as him carrying forward the tenets of Dharma. In yet another interpretation, these four animals represents the different stages of Lord Buddha’s life. (https://www.culturalindia.net/national-symbols/national-emblem.html)

    Other noteworthy things to see around Sarnath:

    Apart from the archeological site and the museum, there is a beautiful Thai temple with a large standing buddha statue set in a beautiful garden. There are scenes depicting first sermon of Buddha as well as a laughing buddha statue. This place is definitely worth stopping by even for few minutes.

    Final thoughts

    Saranath is a great place to add to your visit when you are in Varanasi and definitely worth visiting both for historical significance as well as religious significance.

    Princess dairies -A review of 3 day stay Brijrama palace on Darbhanga Ghat in Varanasi

    1. Brijrama Palace on Darbhanga Ghat
    2. How to get to Brijrama palace:
    3. Architecture and interiors of Birjrama palace :
    4. Accommodation Options :
    5. Dining at Birjrama place:
    6. Activities :
    7. Final thoughts

    Brijrama Palace on Darbhanga Ghat

    Darbhanga ghat holds special place in Hindu mythology as the legend says that Lord Rama bathed here in the sacred waters of Ganges. The Ghat is dominated by stunning palace that was built in 18th century in Rajput and Mughal style architecture. Later in 20th century, the palace was bought over by Maharaja of Darbhanga and fort underwent extensive renovations, including the installation of South Asia’s first elevator. Today this palace is converted into Birjrama palace hotel by Ganges which seamlessly blends heritage and luxury.

    How to get to Brijrama palace:

    The unique location of Birjrama palace on Darbhanga Ghat provides unique opportunity to get to your hotel by boat. Even though the palace is located very centrally in the heart of Varanasi, close to all main attractions, you can’t reach this place by car. Since the palace is located in Bengali tola surrounded by narrow streets or galies, the best way to reach the palace is by boat. The hotel has multiple boats that can take you to various places within Varanasi, thus avoiding the traffic and also giving you the best view of Varanasi Ghats. The boat rides are free as part of the stay and you can use the boats as needed. We used this service multiple times during our stay including to attend Ganga Aarti, and go to Assi Ghat and surrounding area.

    Architecture and interiors of Birjrama palace :

    In order to reach the hotel from the ghat, you need to climb about 20 steps and get it to the elevator. You are greeted by a priest who blesses you and hands you flowers and blessings. You enter the elevator which is the first elevator in south east Asia. As you get out of the elevator, you are greeted by ornate sitting room and beautiful view of Ganges from first floor.

    The hotel has 3 floors each with its own balcony/sitting area with breathtaking views of Ganga. We were on 3rd floor and in my opinion, it has the best views and the 3rd floor balcony where they have Yoga classes every morning and high-tea in the evening. We spent every morning watching sunrise over Ganges and enjoying the morning bustle of the ghats.

    Walking through the palace transports you back to the gilded era with ornate designs on the walls, beautiful sculptures, and spacious court yards. The hotel has done a great job of decorating the palace with its history in mind.

    Accommodation Options :

    There are 32 rooms in Brijrama palace with several types of rooms:

    -Varuna Burj Suite- only 1 suite and it is on 2nd floor with its own entrance. This room boasts 180 view of the river and city and probably one of the most expensive rooms in the palace. We tried to book it but it was sold out for the time we were in Varanasi. It sleeps 3-4 people

    – Maharaja Suite- there are 3 suites available and are on 1st floor and sleeps 2-4 people

    – Vasundara- 6 available rooms and sleeps 2

    – Dhanurdhara- 8 available rooms thar sleeps 2

    -Nadidhara room- 14 available rooms that sleeps 2

    We stayed in the Dhanurdhara room and it was perfect for 2 people. It opens into a well lit corridor that is next to 3rd floor balcony. We absolutely loved the room and the location of the room

    Dining at Birjrama place:

    There are 2 dining rooms in Brijrama palace but when we stayed there only Darbhanga dining room was open and it serves only vegetarian food( Because of the location of the hotel on the Ganga River, hotel doesn’t serve meat or alcohol). Breakfast is included the price and it is severed as a buffet with both international and Indian dishes. You can get made to order omelettes for breakfast along with toast, donuts etc. Both north and South Indian breakfast items such as made to order dosa, fresh jelebi as well as kachori are available everyday for breakfast. We are most of the lunch and dinner at the restaurant but they are A la carte and pretty decent. We found found to be lacking spiciness but overall of good quality. For one afternoon, we ordered the Thali, which is a 5 course meal with soup, appetizer( 3 kinds), main meal, a drink, and 3 different desserts. The meal was huge and we struggled to finish it

    Activities :

    There are several activities are provided as a complimentary service including High tea every evening. This was our favorite activity which included along with Indian Chai served in clay pot, thandai ( specialty of Varanasi), and pan making session.

    Every morning, you wake up to the sound of flute playing from the center court yard and every evening there was Kathi’s dance performance at the bada angan to showcase local artists and talent. You can get complementary henna by a local artist every afternoon too. Every evening, boat leaves from the ghat to the Ganga Aarti ceremony and you can watch the program sitting in the boat.

    Final thoughts

    Staying at Brijrama palace is great experience and we enjoyed every minute of it. We were impressed by the service and authenticity of the staff as well as luxury and heritage of the place. More than anything else, location is absolutely stunning and we took too many photos of sunrise. Only con we found was that it was hard to leave the place and go out do anything else as we were too comfortable in our serene palace.

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